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MIKA à l'opéra Royal de Versailles

The show, recorded on December 16 and televised on France 5 on February 5, provides a different perspective on the international pop star. For the performance, MIKA was invited by the sumptuous Royal Opera of Versailles and accompanied by the Symphony Orchestra of the Royal Opera of Versaille, conducted by Stefan Plewniak. Throughout the production, MIKA was joined onstage by prestigious guests such as the “Gospel for 100,” pianist Vincent Bidal, cellist Gautier Capuçon, classical guitarist Thibaut Garcia and countertenor Jakub Józef Orliński.

MIKA à l'opéra Royal de Versailles

8.0 2021
Sorya

Sorya, a young Cambodian woman aged 17 years old, arrives in Phnom Penh to work in a textile factory with her best friend, Lida. With a hellish pace of work and no talking allowed, Sorya is not a natural at sewing, unlike her friend who rapidly works her way up the corporate ladder. Sorya prefers the nightlife and city living of the capital. One night, she is singing karaoke in Lucky bar. Everybody there is captivated by her voice. It’s the beginning of her path to stardom but between love affairs, friendships that are broken and then mended, desire and frustration, more trouble lies ahead for Sorya as she tries to find her path in life!

Sorya

NR N/A
Good Stock On The Dimension Floor: An Opera

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

Good Stock On The Dimension Floor: An Opera

NR 2014
Bolshoi Ballet: Raymonda

At the castle of Countess Sybil de Daurice, Raymonda is celebrating her birthday. She is also about to bid farewell to her fiancé, knight Jean de Brienne, who is going on a crusade. At night Raymonda falls asleep and dreams that she is taken to a magical garden where she is reunited with her fiancé. Suddenly, Jean de Brienne disappears and an Arab sheik takes his place and declares his passion for her. When she wakes, Raymonda discovers with horror that her nightmare has become reality… Live performance 24 Jun 2012

Bolshoi Ballet: Raymonda

NR 2012
The Sleeping Beauty

When she is finally released from an evil spell by the kiss of a young prince, the Sleeping Beauty awakes and is – inspite of a hundred years of sleep – as beautiful as a young woman. The love of the prince is simply stronger than the curse that rests on the haunted princess. The artistic director of the Staatsballett Berlin, Nacho Duato, has brought new life to this beloved classic, which itself is over a hundred years old and for which Tchaikovsky has composed the unforgettable music. The ballet Sleeping Beauty follows in its plot the French version by Charles Perrault: At her baptism Princess Aurora is cursed by the evil fairy Carabosse. On her 16th birthday the curse becomes reality. Aurora pricks herself on a spindle and falls into a hundred-year-long sleep. Finally, Prince Desiré finds the way to Aurora’s bed and kisses the princess awake. The inevitable end: a fairytale wedding.

The Sleeping Beauty

NR 2016
Kafka: Proces

Mauro Bigonzetti's ballet based on Franz Kafka, performed by the National Theatre Ballet. Choreographer Mauro Bigonzetti, fascinated by the irresistible language of Prague native Franz Kafka and the enduring relevance of his novel "The Trial," was drawn into the dark world of Josef K and created a modern dance production depicting the world of the protagonist and his hopeless struggle with a cold and heartless modern society. Bigonzatti used music by a number of composers from different historical periods, from D. Buxtehude to H. Górecki, C. Monteverdi, and M. P. Mussorgsky. This selection is remarkably balanced and surprisingly contemporary.

Kafka: Proces

NR 2023
Alcina

Like Handel’s Orlando (1732) and Ariodante (1734), Alcina derives from the narrative material in Ariosto’s Orlando furioso. The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. The result is marvellous modern musical theatre in a historizing frame.

Alcina

5.5 N/A
Karena Dia

Rafiq is a dangdut singer who comes to Jakarta to advance his career. Parto, his friend from the same village tries to represent him to different recording companies. But they differ because of Rafiq’s naivete and Parto’s city-style plus Parto’s insistence on pop music, and Rafiq’s dedication to dangdut. So their conflict is resolved by a music expert and student, Norma, who is researching dangdut music, and who eventually becomes Rafiq’s girlfriend. But the person who manages to get Rafiq a record deal is Lily, whom Rafiq meets when working in a car shop. Finally, Rafiq gains Norma’s hand when her parents approve their relationship.

Karena Dia

NR 1979
Renaldo and Clara

Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.

Renaldo and Clara

7.9 1978
New Faces

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

New Faces

5.9 1954