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Woodstock: Untold Stories Revisited

Sixteen performances, which total 73 minutes, of previously unreleased performances from the 1969 Woodstock Festival. This is the follow-up to 2009's Woodstock: Untold Stories Melanie: "Mr. Tambourine Man/Tuning My Guitar" (6:18) Joan Baez: "Oh Happy Day" (3:59) Joan Baez: "I Shall Be Released" (3:38) Santana: "Persuasion" (2:55) Canned Heat: "Woodstock Boogie" (8:38) The Grateful Dead: "Mama Tried" (2:53) The Who: "Sparks" (5:25) The Who: "Pinball Wizard" (2:51) Jefferson Airplane: "Volunteers" (2:53) Jefferson Airplane: "Come Back Baby" (5:56) Country Joe and the Fish: "Not So Sweet Martha Lorraine" (4:23) Crosby, Stills & Nash: "Helplessly Hoping" (2:27) Crosby, Stills & Nash: "Marrakesh Express" (2:55) The Paul Butterfield Blues Band: "Everything's Gonna Be Alright" (8:53) Sha Na Na: "Book of Love" (2:07) Jimi Hendrix: "Spanish Castle Magic" (7:09)

Woodstock: Untold Stories Revisited

NR 2014
An Evening with Liza Minnelli

Liza Minnelli in concert at the New Orleans Theatre of the Performing Arts. This show was a combination of the two performances Minnelli did on November 24, 1979. Highlights include Minnelli singing "How Long Has This Been Going On?," "It's a Miracle," "True Love," "The Man I Love," "Some People," an old English folk ballad, and "Come in From the Rain". Liza also sings two songs from her recent Tony winning Broadway show "The Act" - a song and dance number called "Arthur in the Afternoon," with Roger Minami and the show-stopping "City Lights" with Minami and dancer Obba Babatunde. Another highlight is a medley of New York songs sung by Minnelli which culminates in one of signature songs "Theme from New York, New York". The evening concludes with Minnelli singing performing a scene from "Cabaret"; and singing "Cabaret," "Harvest Moon," and "The World Goes Round."

An Evening with Liza Minnelli

NR 1980
What a Team!

Hubert Franier, an honest hospital extern, should never had got into trouble had he not been infatuated with Véra, a beautiful but stupid creature, who led him down the wrong path. Because of her and her friends, Hubert, who naively thought he was taking part in a practical joke, was actually a party to a car theft. Because of him, Monsieur Pierre, a good-natured caretaker, is in hospital. Racked with remorse, Hubert decides to hide from the police and finds refuge at his friend Louis'. Louis is a very sociable artist and his flat is the meeting place of many a colorful character. There, Hubert gets to know Candy, a Black American saxophonist, as well as Boubou, a Black little boy. He also meets Marie-Lou, a bar girl who dreams of becoming a nurse.

What a Team!

10.0 1957
Another Day, Another Time: Celebrating the Music of 'Inside Llewyn Davis'

A concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus Mumford, Punch Brothers, Patti Smith, Willie Watson, Gillian Welch, and Jack White, as well as the star of the film Oscar Isaac.

Another Day, Another Time: Celebrating the Music of 'Inside Llewyn Davis'

8.0 2013
Great Tenor Performances

Great Tenor Performances outbids the famous Three Tenors by putting a dozen tenors (including the big three--Jose Carreras, Placido Domingo, and Luciano Pavarotti) in one compilation. One or two numbers fall short of greatness, but within the limits of what was available to them, the producers live up to the ambitious title. Domingo is particularly well represented with three arias, and Carreras has two. Only one Pavarotti performance is shown, but it's a good one: a youthful Celeste Aida from San Francisco. But the real meat is in the work of the other nine tenors. The muscular Samson of Jon Vickers contrasts with the bel canto delicacy of Mark Ainsley and Max-Rene Cosotti. Vladimir Atlantov as Otello, Giacomo Aragall as Cavaradossi, and Neil Shicoff as Rodolfo in La Bohème show that Domingo is not the sole proprietor of these roles. A pleasing rarity is Roberto Alagna in two excerpts from Verdi's original version of Don Carlos, with a French text.

Great Tenor Performances

8.0 1999
Cheerful Frogscreamers

The film tells the story of the life and customs of a Ukrainian village in the distant past. After a heavy drinking binge, the village elder, having lost track of the days, decides to drink every second day instead of every day. Angry that no one was tearing leaves off the calendar, he forbids the youth to gather in the evenings for festivities. But it id in the evening that Alyonushka and Timish's first date is to take place. The clever boys and girls decide to help the lovers and get the foreman drunk enough to make him forget about his ban.

Cheerful Frogscreamers

2.0 1973
Şarkıcı

Sevda Erses is a singer who has devoted herself to Turkish classical music and strives to be principled in her work. She is careful not to go beyond professional relationships with her boss and listeners, which is why her career has stagnated. As part of her Anatolian tour with a company, Erses also gives concerts in a small town. The singer not only receives great interest from the local people but also unintentionally captivates the town's leader. However, her heart belongs to an engineer she met in the same town.

Şarkıcı

7.0 2001
Swans: Where Does a Body End?

From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"

Swans: Where Does a Body End?

7.9 2019
Oasis: Knebworth 1996

Oasis Knebworth 1996 - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the 90's possible, directed by Grammy Award-winner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Also included are the full concerts from both nights, edited by Dick Carruthers with audio mixed by Will Shapland in 5.1 surround sound.

Oasis: Knebworth 1996

7.8 2021