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Metallica: WorldWired Tour - Live in Manchester, England - June 18, 2019

Filmed at Etihad Stadium in Manchester, England on June 18, 2019. This concert is part of the WorldWired Tour by American heavy metal band Metallica in support of their tenth studio album Hardwired... to Self-Destruct, which was released on November 18, 2016. It is also their first worldwide tour after the World Magnetic Tour six years earlier. Set-List: 1. Hardwired / 2. The Memory Remains (with extended outro) / 3. Disposable Heroes / 4. The God That Failed / 5. The Unforgiven / 6. Here Comes Revenge / 7. Moth Into Flame / 8. Sad but True / 9. Welcome Home (Sanitarium) (followed by Kirk & Rob's solos incl. 'I Wanna Be Adored', 'ManUNkind' & 'Orion') / 10. St. Anger / 11. One / 12. Master of Puppets / 13. For Whom the Bell Tolls / 14. Creeping Death / 15. Seek & Destroy / 16. Lords of Summer / 17. Nothing Else Matters / 18. Enter Sandman (with 'The Frayed Ends of Sanity' outro).

Metallica: WorldWired Tour - Live in Manchester, England - June 18, 2019

10.0 2020
The Ballad of Crowfoot

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

The Ballad of Crowfoot

6.8 1968
Ray Charles - In Concert

The name Ray Charles stands for superstar worldwide. He is an icon in the music world, has a star on Hollywood Boulevard's Walk of Fame, a bronze bust enshrined in the Playboy Hall of Fame, and has received fifteen Grammys, the Kennedy Center Honor, and three National Medals of Arts. In his fifty years in the music world, Ray Charles has earned the title "The Legendary Genius of Soul." In this 1999 benefit concert for the Miami Lighthouse for the Blind from the James L. Knight center in Miami, Florida, Ray Charles performs such classics as I Got A Woman, Georgia On My Mind, and his moving rendition of America, The Beautiful. In addition, Charles delights the audience with a saxophone solo and a duet with special guest and Grammy Award-winning jazz vocalist Diane Schuur.

Ray Charles - In Concert

NR 2001
Disney Sing-Along Songs: I Love to Laugh - Supercalifragilisticexpialidocious

Songs are for sharing, and learning the words to your favorite Disney songs has never been so much fun! Just sing along to the on-screen lyrics as you enjoy classic Disney characters in their most memorable musical scenes! Get ready to laugh and sing with wonderful tunes from one of the most popular musicals of all time -- MARY POPPINS! This volume introduces you to the "Supercalifragilistic" hits sung by everyone's favorite nanny, Mary Poppins. Sing along with this happy-go-lucky cast of live and animated characters in a giggling, gleeful musical celebration.

Disney Sing-Along Songs: I Love to Laugh - Supercalifragilisticexpialidocious

10.0 1990
Cindy

The plot incorporates many elements from the Cinderella story, transposed into a modern context. Cindy is a young mixed-race girl, the daughter of an Irish pilot who recently disappeared and a “Sun Girl” whom she never knew. She lives in the suburbs with her stepmother La Palma and her two stepsisters Pétula and Tamara who mistreat her. Her consolations are her favorite dance, the jig, which her father taught her, and a few outings, which cannot last long, however, because her stepmother threatens to kick her out if she does not return home before midnight.

Cindy

6.0 2002
Toronto Rocks

Molson Canadian Rocks for Toronto was a benefit rock concert that was held in Toronto, Ontario, Canada on July 30, 2003. It was also known as "Toronto Rocks,""Stars 4 SARS," "SARSStock,","SARSfest," "SARS-a-palooza," the "SARS concert," or, more descriptively, "The Rolling Stones SARS Benefit Concert." Estimated to have between 450,000 and 500,000 people attending the concert, it is the largest outdoor ticketed event in Canadian history, and one of the largest in North American history.

Toronto Rocks

8.0 2003
Marinetti

Albie Thoms' Marinetti was the culmination of the synthetic environments that the UBU group had pioneered in Australia; festive public 'happenings' that combined the energy and volume of creative rock and jazz with the mesmeric effect of multi-dimensional lightshows. Another kind of culmination: Marinetti records most of the principal collaborators in the UBU film group, like Aggy Read and the Perrys. Uniquely valuable as a document of Australia's late 1960s counter-culture, the soundtrack provides the best indication of the unrestrained liberty that bands like Tully and the John Sangster Underground band some of whose members perform on this recording were famously achieving in their improvisations of the period.

Marinetti

6.8 1969
Quadrophenia: Can You See the Real Me?

In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.

Quadrophenia: Can You See the Real Me?

8.7 2013
Too Old Hip-Hop Kid

One time my friends and I had a dream; it was to become famous rappers and perform together. Today, I am a senior in college who has a new dream as a movie director. In this documentary film, I would like to reflect on the nameless longings of youth. I want to be a movie director, but I am worried and nervous due to the uncertain future. Consequently, I decided to make a documentary which reflects on the lives of young men. In order to share my anxiety with them, I visited my old friends who I used to perform with.

Too Old Hip-Hop Kid

NR 2012
Rimsky-Korsakov: The Legend of the Invisible City Of Kitezh

The Invisible City of Kitezh, completed in 1905, is a remarkable opera that fuses folklore, mysticism and realism. Its subject is the story of the advancing Mongol army's entry to Great Kitezh and the city's subsequent miraculous survival. Rejecting archaisms and the more religiously inclined suggestions of his librettist, Rimsky-Korsakov sought to create an opera that 'is contemporary and even fairly advanced'. It is therefore through-composed, hinting at times at Wagnerian procedure, and flooded with the composer's rich, apt and brilliant orchestral palette, fully supportive of the powerful vocal writing.

Rimsky-Korsakov: The Legend of the Invisible City Of Kitezh

NR 2011
Monteverdi: L'incoronazione di Poppea

One Roman emperor is not enough for conductor Emmanuelle Haïm. After Julius Caesar in Handel’s opera –recorded for Virgin Classics DVD at Paris’ Palais Garnier with Lawrence Zazzo as Giulio Cesare and Natalie Dessay as Cleopatra – she now brings a ruler of less illustrious reputation: Nero (Nerone) in Monteverdi’s sensuous and cruel story of love, ambition and politics, L’incoronazione di Poppea. Source: https://www.prestomusic.com/classical/products/8030376--monteverdi-lincoronazione-di-poppea

Monteverdi: L'incoronazione di Poppea

NR 2013
Cabaret

A young jazz musician's desire to advance in his career runs afoul of organized crime in this thriller from Haruki Kadokawa. After a saxophonist starts playing at a particular nightspot, a thug from the Yakuza adopts him as a special friend for no greater reason than he plays one of his favorite songs well. As the dangerous life of the gangster intertwines with that of the musician, it brings harm to the musician's girlfriend, who is raped. This changes the young saxophonist's attitude about his patron, but his Yakuza "friend" is still too embroiled in his own problems to worry about anything else.

Cabaret

4.8 1986