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The Clash: Live in Paris 1980

Australian DVD pressing of this live performance from the UK Punk Rockers, previously only released in Japan. This rare live footage was filmed in 1980 for the French TV program Chorus and captures the band at their peak, touring in support of their vinyl masterpiece London Calling. Contains 12 tracks including 'Train In Vain', 'I Fought The Law, 'Janie Jones', 'Tommy Gun' and 'London Calling'. 1. Jimmy Jazz 2. London Calling 3. Protex Blue 4. Train In Vain 5. Koka Kola 6. I Fought The Law 7. Wrong 'en Boyo 8. Stay Free 9. Janie Jones 10. Comprete Control 11. Garageland 12. Tommy Gun --Tracks

The Clash: Live in Paris 1980

NR 1980
Manon Lescaut

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

Manon Lescaut

8.5 1983
Giuseppe Verdi: I due Foscari

In 15th-century Venice, Jacopo Foscari, son of the Doge of Venice Francesco Foscari, is to be tried by the Council of Ten for a crime of which he claims to be innocent. The Foscari family’s sworn enemy, the vindictive Jacopo Loredano, treacherously secures his sentence of exile. Despite the pleas of Lucrezia, Jacopo’s wife, the unfortunate father is forced to sign his son’s banishment order, even though he is convinced of his innocence. The young man dies of despair just before the real murderer comes forward. Loredano secures the removal of Francesco Foscari, who collapses, lifeless. "I due Foscari" is an opera in three acts by Giuseppe Verdi, with a libretto by Francesco Maria Piave, which premiered at the Teatro Argentina in Rome on 3 November 1844.

Giuseppe Verdi: I due Foscari

NR 2016
Joni Mitchell - Both Sides Now - Live at the Isle of Wight Festival 1970

Directed by Academy Award winning filmmaker Murray Lerner, Both Sides Now: Live At The Isle of Wight Festival features new interviews with Joni, discussing her recollections of the event intercut with festival footage, both onstage and behind the scenes, offering a fascinating insight into a now legendary concert from the artists point of view and putting the events of the day into context. Alternatively, fans can enjoy the uninterrupted live concert footage featuring classic songs such as "Woodstock", "Both Sides Now" and "Big Yellow Taxi". This was the final film from Murray Lerner, who sadly passed away not long after the films completion.

Joni Mitchell - Both Sides Now - Live at the Isle of Wight Festival 1970

7.5 2018
Carmen (Arena di Verona)

High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.

Carmen (Arena di Verona)

NR 2014
Black Sabbath: The Black Sabbath Story, Volume One

“The Black Sabbath Story, Volume One” traces the roots and origins of Black Sabbath on an album by album basis and features rare performance footage including N.I.B. Paranoid, and War Pigs. Watch Ozzy and company slay the 300,000 plus crowd at California Jam 1974 with a blistering rendition of Children of the Grave. Black Sabbath is a highly visual band and one of the earliest metal groups to experiment with promotional videos. Their hilarious video for Sabbath Bloody Sabbath captures the spirit of similar videos put out by The Beatles. There are a couple of other songs here captured live from the “Never Say Die” tour including Snowblind, Symptom of the Universe, and Rock ’n’ Roll Doctor. All of these performances are professionally shot and Warner Bros. shows them uncut and without narration. “The Black Sabbath Story, Volume One” covers all the bases of the Ozzy years.

Black Sabbath: The Black Sabbath Story, Volume One

7.2 1992
Faust – Opéra de Lille

Few operas have enjoyed such an enviable fate as Gounod's Faust. Well received at its premiere, followed by international success, which still makes it the most performed French opera in the world today, just behind Carmen. But should we take this Faust literally? Or should we see it, in the twist of the fable, as a celebration of pleasures? The audience can enjoy all the excesses, intoxicated by the music... without risking damnation. In Opéra de Lille’s production, this contradiction does not escape astute analysis of director Denis Podalydès. Podalydès and his distinguished team tackles Goethe's tragic hero, using Jules Barbier's spoken dialogues, which were part of the work when it was first performed in 1859, to bring out all its ambiguities.

Faust – Opéra de Lille

NR 2025
Francisco Sánchez - Paco de Lucía

Francisco Sanchez: Paco de Lucia, is the definitive documentary on the myth of the flamenco guitar. It not only provides information about his life and musical art, but it also offers a previously unknown intimate portrait of the artist than makes us 'feel' and understand the human being beneath the world wide known genius. Retired in the Mexican jungle, Paco de Lucía shows in this program his creative doubts, the reasons for his silence and other secrets of his genius. It is the first time that the 'master' invites a television team to share with him a world tour and allows it to record his daily life in Mexico and his meetings with other artists, like Chick Corea.

Francisco Sánchez - Paco de Lucía

9.0 2002
The Lovers of Teruel

This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.

The Lovers of Teruel

5.8 1962