Discover Movies

The extraordinary life of Carla Fracci, the greatest Italian ballerina of all time, told from her first steps at the Accademia del Teatro alla Scala in Milan to the stages of the most prestigious international theaters, passing through the controversial choices, difficult sacrifices, and important satisfactions that marked her rise. Freely inspired by the autobiography “Passo dopo passo – La mia storia” (Step by Step – My Story).

After becoming popular thanks to the talent show Amici, Dear Jack and their young frontman Alessio Bernabei will have to learn how to handle success and life as stars, but with a great price to pay…

A young couple, Renato and Maria, struggle to provide for their young daughter Pia.

To open the 2023–24 opera season, the Teatro dell'Opera di Roma presents a new production of *Mefistofele*. This opera, in a prologue, four acts, and an epilogue by Arrigo Boito, is inspired by Goethe’s *Faust*. The production is directed by Simon Stone, with Michele Mariotti conducting.

Duke Ellington & His Orchestra plus Sarah Vaughan & Her Trio live in Berlin. Featuring: Duke Ellington (piano), Sarah Vaughan (vocals), Harold Ashby (saxophone), Harry Carney (saxophone), Paul Gonsalves (saxophone), Money Johnson, Gus Mancuso, Russell Procope (saxophone), Eddy Pucci (drums), Norris Turney (saxophone), Johnny Veith (piano), Cootie Williams (trumpet)

Alan Curtis and his renowned Il Complesso Barocco ensemble present Vivaldi's groundbreaking opera about the mythical hero Hercules and his quest to retrieve the sword of Antiope, queen of the Amazons. Mary-Ellen Nesi stars as the ferocious warrior queen, and Zachary Stains is the beleaguered Hercules, trying to appease the gods for killing his own children in a fit of rage. Laura Cherici, Luca Dordolo and Randall Scotting co-star.

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

At the Festival della Valle d'Itria, Antonio Vivaldi's opera Orlando Furioso. Orchestra I Barocchisti, conductor at the harpsichord and music director Diego Fasolis.

Maestro Mario Brunello tackles Bach's violin repertoire with a new reading on the piccolo cello of the sumptuous Sonatas and Partitas for solo violin. The Chaconne in D minor, a masterpiece of the repertoire for solo instrument, resonates in the lunar landscape of the volcano Etna in a performance of great sonic impact.

Two one-act operas adapted by Emma Dante, conducted by Michele Mariotti. Two ways of understanding love and exploring the boundaries between reason and madness. The protagonists embody the pain of abandonment and the driving force behind the tragedy: for love, people commit extreme acts, just as the theatrical gesture within a grand opera is extreme.

The history of italo disco, a musical genre that conquered the world during the incredible eighties, the most cybernetic decade; a style that was not just another kind of dance-pop music, but also the origin of an aesthetic, a true social phenomenon and the creative center of a very profitable industry.

From the Rai Arturo Toscanini Auditorium in Turin, the Rai National Symphony Orchestra, conducted by Aziz Shokhakimov, with Seong-Jin Cho on piano, performs works by Sergei Rachmaninoff, Piano Concerto No. 3 in D minor, Op. 30, and Pyotr Ilyich Tchaikovsky’s Symphony No. 4 in F minor, Op. 36.

To mark the tenth anniversary of the L'Aquila earthquake, Nicola Piovani will conduct *The Symphony of the Seasons* for soloists, children’s choir, narrator and orchestra from the Basilica of Santa Maria di Collemaggio.

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.

A dance movie starring Alice Bellagamba, directly from an italian tv show...uao!

From the Rai Arturo Toscanini Auditorium, conductor Juraj Valčuha presents the Rai premiere in Turin of Jean Sibelius’s Symphonic Poem Op. 73, *Aallottaret* (The Oceanides), followed by the *Four Sea Interludes* from Benjamin Britten’s masterpiece *Peter Grimes*. In the second half of the programme, the mood shifts with two masterpieces of extreme expressive power: the Concert Suite from Béla Bartók’s one-act pantomime The Miraculous Mandarin and Maurice Ravel’s La valse, composed between 1919 and 1920, when Europe was attempting to emerge from the ruins of the Great War.

In this fifth episode of the series, La torta di Guglielmo, Rossini, is “interviewed” by Gaia de Bernardis, presenting, this time, the cake that gives the clip its title: an apple pie, with cream, sugar, flour and butter. Together with the composer, musicologist Alberto Simoncini and the ever-present Stendhal. Of course, it follows from the title that the opera presented along with the dessert is William Tell, whose libretto was taken from the play of the same name (1804) by Friedrich Schiller, later elaborated by Victor-Joseph-Étienne de Jouy and Hippolyte-Louis-Florent Bis. Its first performance took place at the Paris Opéra on August 3, 1829.

LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.

Father Matteo Ricci, Jesuit, mathematician, geographer, and musician, chose to become a missionary in China. He was the first Westerner to whom the emperor granted permission to be buried on Chinese soil.

A group of friends usually meet at Jolly Blue, a bar that is a point of reference for all young people in the area. But when their meeting place is about to be closed, they work hard to ensure this doesn't happen and confide in the bartender.

Matilde Sarni lives in her villa near Rome. She has a son who has just married Donata and who is coming home after a series of recitals in the States. Mario, her son, is a famous opera singer and he is twenty years older than his wife. Besides Donata doesn't like country life. So when Mario leaves for a tour of recitals and Donata meets Giulio...

An Italian comedy from 1943.

A comic-fantastic opera by Tchaikovsky, also known as Cherevichki. In a small Ukrainian village, the devil decides to steal the moon to revenge himself on his enemy, Vakula the smith.

In an alternation of stories from the past and present of Marco Mazzoli, radio DJ and creator of Lo Zoo di 105 (one of the most followed radio programs in Italy), we relive what symbolizes the great adventure of life: an adventure made of victories but also of many bitternesses and defeats. Episodes of lost and then found loves, friendships that began and then ended, betrayals, thefts, dismissals, complaints and many humiliations follow one another, but in the end, they lead to the fulfillment of a dream, what everyone seeks: their own personal fulfillment.

Released a few months after the Italian The Passion According to St. Mathew, this Austrian film is, like the earlier effort, based on a theatre piece. But whereas the Italian picture was inspired by Bach's oratorio, St. Mathew's Passion is a filmed record of a newly commissioned State Burgtheatre production. Actor Raoul Aslan movingly recites the biblical story of the last days of Christ, while the Philharmonic Orchestra of Vienna underscores his words. Director Ernst Marischka breaks up the visual monotony of the proceeding by utilizing a montage of photographs and paintings of the Middle Eastern regions where the original story took place. Reviewers felt that St. Mathew's Passion should have been promoted as a documentary rather than a dramatic feature.

From the Rai “Arturo Toscanini” Auditorium, pianist Vadym Kholodenko performs, for his debut with the Rai Orchestra, Sergei Rachmaninoff’s Piano Concerto No. 3 in D minor, perhaps the most complex and demanding of the Russian composer’s four concertos. Conducting is Uzbek maestro Aziz Shokhakimov, who presents the final version, from 1947, of the famous ballet Petrushka, on the occasion of the fiftieth anniversary of Igor Stravinsky’s death.

Aided by a chauffeur and a butler, a student of humble means pretends to be wealthy in order to attract the romantic interest of a rich girl.

From the Auditorium in Turin: Ottavio Dantone, conductor; Delphine Galou, contralto; Martin Vanberg, tenor; Matthew Brook, bass; the Maghini Choir; Claudio Chiavazza, choirmaster. Johann Sebastian Bach: Mass in B minor, BWV 232, for soloists, choir, and orchestra.

In a small village on the edge of the woods, an arboreal ritual is being celebrated. Antonio's childlike game with his box of ants reveals a simple story of balance between humans, animals, and nature that challenges our belief in the existence of the divine.

James Levine leads a remarkable cast in one of Verdi’s most enduringly popular operas and brings fresh insights to this beloved score. Ileana Cotrubas is poignant and touching as Violetta, the consumptive courtesan who finds true love with Alfredo, sung with style and passion by the great Plácido Domingo. Cornell MacNeil is Germont, Alfredo’s father, who forces the two apart, setting in motion events that lead to a shattering and tragic conclusion. Colin Graham’s production features design by Tanya Moiseiwitsch and choreography by Zachary Solov.

World-renowned Genoese conductor Fabio Luisi conducts the ORT for the first time. The concert opens with Vivaldi's Sinfonia Al Santo Sepolcro, a liturgical composition on the Passion of Christ. This is followed by Mahler's Fourth Symphony in a chamber version with soprano Carmela Remigio.

In 1979, while doing his military service, Giancarlo Soldi made his directorial debut with this short film. The Super 8 camera for the short was provided by Paolo Gioli, a multimedia artist, to whom he had been the sole assistant for two years. The film was seized by the Carabinieri under the pretext of showing weapons protected by military secrecy until 2024.

The biggest Italian music event ever that support the struggle against the violence on the women.

The life of Antonio Vivaldi, called "the red priest", his relationship with the world and the Church, his spiritual battles, his love for a woman.

Martha Eggerth heads the cast of Casta Diva, but the central character is famed Italian composer Vincenzo Bellini, here played by American actor Phillips Holmes. Paying but scant attention the facts, the film concentrates on Bellini's colorful love life. Evidently the film went through several rewriting processes, as witness the curious performances of Donald Calthrop and Arthur Margetson, whose characters do complete about-faces halfway through the story. Amidst so many British accents, Martha Eggerth's Polish intonations seem out of place, but she photographs beautifully and sings quite well. Casta Diva was attractively filmed on location in Naples. Not to be confused with the 1954 remake (by Gallone himself) or to the English language version "The Divine Spark" (also directed by Gallone and starred by Eggerth).

Passionate rock'n roll dancer, Rodolfo has his partner Ornella as a partner. Frozen by the frivolous behavior of the boy, however, the young girl no longer wants to learn to dance with him. Finally, when Rodolfo had lost all hope of replacing it, Ornella, who has meanwhile accepted the court of a ballroom impresario, returns to her decision.

This program features a live concert performance by jazz vocalist Dee Dee Bridgewater including such songs as This Is New and Lost in the Stars.

Diego, a young trumpet player, trying to escape from reality, leaves home and begins a dream throughout the night, which will lead him to encounter people from his past life who will try to bring him back to his world, but also new people who will take him to unfamiliar places.

A group of beatnik students rent a garage and turn it into a club. One of them leaves because of love rivalry but then goes back on his steps and the club becomes a huge success.

Two formerly rich men try to get back on their feet, counting on their respective son and daughters marriage prospectives. The two youths meet and fall in love not knowing about their parents plan and even when the truth comes out and they are told to break the engagement because they are not rich, they fight to stay engaged and marry.

Walter and Paola, presenter and godmother of the sixth Cantagiro, are involved in a misunderstanding: to dismiss a suitor, the presenter pretends to be married to Quattrini.

The tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from assassins hired by her father.