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Between the scenes, between the voices. Unseen footage of the future sound of Slovakia.

In 2024, during an artistic residency at Periférne Centrá (Dúbravica, Slovakia), Cristian Estrella filmed the folkumentary „Medzi dolinami, medzi vŕški, po stopách budúceho zvuku Slovenska“ while producing the album "The Future Sound of Slovakia Vol.1" by Mira Tus Manos. But every film leaves scenes out. What doesn't fit due to time, rhythm, or because the main story needs to go elsewhere. "Medzi scénami, medzi hlasmi" is exactly those outtakes: already edited material that no one had seen, divided into two parts —SIDE A and SIDE B— where artists from Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia speak not only about the project but also about their own artistic practices, personal stories, and internal maps.

Between the scenes, between the voices. Unseen footage of the future sound of Slovakia.

NR 2026
Hacen muchas gracias de nada

'Muchas Gracias de Nada', is a show premiered on June 15, 1979 at the Coliseo Theater in the City of Buenos Aires by the Argentinean ensemble of informal instruments, Les Luthiers. Recorded live between October 24th and 25th, 1980 at the same theater. PROGRAM: 1. La Campana Suonerá; 2. El Rey Enamorado; 3. Sinfonía Interrumpida; 4. La Tanda; 5. Canción para Moverse; 6. La Gallina Dijo Eureka; 7. Trío Op. 115; 8. Cartas de Color; 9. Tango Op. 11. In this show 'Antenor' made its first appearance, an advanced robot (for the time it was built - 1979) that weighed 80 kilos and was equipped with several motors that allowed it to move around the stage, turn its head, etc. The robot caught fire during the last performance of this play (Palacio de Bellas Artes, Mexico - 1980) in the middle of the stage and before the astonished gaze of all those who were there.

Hacen muchas gracias de nada

7.8 1980
Imágenes paganas

Even today there is still a certain resistance to recognizing the aesthetic revolution caused by Virus in the early eighties. The audacity of Federico Moura at the head of the La Plata's band exceeded the limits of rock and is still a source of art-pop knowledge. Imágenes Paganas explores that tension and rejection in times of dictatorship, a scourge that the Moura family paid with the disappearance of Federico's older brother. The documentary by Costantino inaugurates a time of historical reparation with Federico Moura as a warrior of modernity.

Imágenes paganas

7.4 2013