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Iggy Pop: Jesus? This Is Iggy

2002 Some of the excellent footage includes: excerpts from the 1970 Cincinnatti Pop Festival, famed for the Ig's clambering onto the audience, being hoisted aloft, and walking on a sea of hands, a feat unduplicated back in the day or since in the rock world; earliest Stooges B&W archival snippets showing Iggy right out of the chute as theatrical, quasi-modern dance iconoclast; the Ig enjoying his own private listening party to the original recording of "No Fun" years later; and lots of late-'90's/early 2000's audience interaction, sloppy kisses and all. 1 Lust For Life 2 TV Eye 3 I'm Alright 4 Dirt 5 Search & Destroy 6 Funtime Featuring – David Bowie 7 Nightclubbing 8 Lust For Life 9 China Girl 10 Bla, Blah, Blah 11 Lust For Life 12 I'm A God 13 Natural Feeling 14 Louie, Louie

Iggy Pop: Jesus? This Is Iggy

NR 1998
Jean-Philippe Rameau: Samson (Festival d'Aix-en-Provence)

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music.

Jean-Philippe Rameau: Samson (Festival d'Aix-en-Provence)

NR 2024
Le Barbier de Seville

Inspired by Beaumarchais' comedy, Rossini retains all the passion to create this bubbling opera buffa. A native of Venice, the cradle of the commedia dell’arte, Damiano Michieletto is sensitive to the burlesque vein of Rossinian music. He transposes the action of this "unnecessary precaution" into a contemporary Seville inspired by the cinema of Almodóvar. Bartolo’s monumental building, in which Figaro swirls in free electron, allows the director to give free rein to his crazy imagination.

Le Barbier de Seville

NR 2020
Bulles de Vian

"Vian Bubbles" - On June 23, 2009, fifty years to the day after the death of Boris Vian, a supernatural phenomenon crosses all of France: in the streets, one sings everywhere his songs and one expresses oneself only in the language of the poet. In Paris, Antoine de Caunes wakes up to discover the strange "vianic" epidemic, which also affects radio waves and the small screen. A boss of channel proposes to him to organize, for the same evening, a show dedicated to the songs of Boris Vian. Jean-Pierre Marielle tells us the story of this phenomenon, as supernatural as inexplicable. A tribute in songs to the glowing cast.

Bulles de Vian

5.0 2009
Cindy

The plot incorporates many elements from the Cinderella story, transposed into a modern context. Cindy is a young mixed-race girl, the daughter of an Irish pilot who recently disappeared and a “Sun Girl” whom she never knew. She lives in the suburbs with her stepmother La Palma and her two stepsisters Pétula and Tamara who mistreat her. Her consolations are her favorite dance, the jig, which her father taught her, and a few outings, which cannot last long, however, because her stepmother threatens to kick her out if she does not return home before midnight.

Cindy

6.0 2002
Kittened

Paris, nowadays. Tough Dog is a world famous rapper. Challenged to a rap battle by The Kalixte, a rising star with millions of followers, he is under pressure. A week before the battle, Tough Dog wakes up in the body of a cute little kitten, whereas the kitten’ spirit lands in Tough Dog’s Body. To reverse the situation back to normal he has to ask Kim, a shy young girl for help. In exchange, Tough Dog will teach her to become popular. The young girl and the rapper, in a kitten’s body, are in for a ride!

Kittened

NR N/A
Boulez-Répons

In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.

Boulez-Répons

NR 1985
The Musicians

Astrid Thompson finally succeeds in fulfilling her father's dream: to bring together four Stradivarius for a unique concert, eagerly expected by music lovers around the world. But Lise, George, Peter and Apolline, the four virtuosos recruited for the occasion, are incapable of playing together. The rehearsals are one ego crisis after another. With no solution in sight, Astrid decides to go and find the only person who, in her eyes, can still save the event: Charlie Beaumont, the composer of the score.

The Musicians

6.5 2025